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**Adobe Photoshop** : www.adobe.com/products/photoshop.html
**Adobe Photo Album** : www.adobe.com/products/photoalbum-trial.html
**Adobe Lightroom** : www.adobe.com/products/lightroom-trial.html
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# Enhance your skills with Photoshop
With Photoshop, you can create some incredible images, but if you don’t have enough images to play with, or you don’t know your way around the tools, you’ll just be shooting with a tool at the mercy of the photographic gods. A cheap lens or a nasty orange filter can ruin your image, and that’s just what happens with your camera. Therefore, I suggest that you practice _before_ you hit the button to capture the moment and that you practice after each image, to edit the image later. Get to know your camera, understand the hardware itself, and know the software well enough to edit any image. If you’re having problems figuring out your way around the editor, download the free Adobe Elements software and play around with it, exploring all that the program has to offer.
Then, when you’re ready, you can move on to the really important stuff, which is a great image or two. I can’t promise that you’ll never have to edit a photograph again, but it’s a good bet that you won’t end up with the same broken image you started with.
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## Using Lightroom
Chapter 8 offers a brief overview of the features of Adobe Lightroom. You can visit www.adobe.com/products/lightroom.html to see more information on Lightroom. I think it’s worth the investment for experienced photographers who use Photoshop.
I used Lightroom, in combination with Photoshop, to edit my images in this book. It is a powerful tool, and it can be daunting at first, but having an editor in the form of Lightroom lets you correct your images before you capture a new one.
Figure 14-2 shows Lightroom; Figure 14-3 shows some of the tools available in Lightroom. You can edit the image in any of these ways, which enables you to make further changes and add more tool options. In the next chapter, I explore the Creative Cloud and what it means for photographers.
FIGURE 14-2: Adobe Lightroom displays thumbnails of your images, and you can edit them in
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Photoshop is a powerful imaging software and it can’t be denied that without it, almost every graphic designer and web designer can’t do his/her job. However, with its complex features, learning Photoshop is still hard.
For anyone interested in photography, graphic design, web design, community management or any other jobs that require manipulating images, Photoshop is one of the most useful tools.
Photoshop is a very well-known but, for beginners, it can be complicated and confusing to use. Here, we have compiled 10 of the most useful tips and tricks that every Photoshop user should know.
When you’re learning Photoshop and would like to apply what you’ve learned, share your tips and tricks with others.
1. The first thing you need to do is download the free trial version of Photoshop and follow the installation guide. This guide will show you how to install Photoshop along with completing a few basic tasks in the program.
2. Next, install a new version of Photoshop or upgrade to the latest version if you are using one already.
If you are ready, sign in to your Adobe ID, launch Photoshop and begin creating a new image. Click «Create a New Image» from the File menu. A dialog box will appear where you can choose the size and format for the image, select the resolution, and then add any desired settings.
3. The next thing you want to do is play around in the program and create some images. If you have Photoshop installed, you should have a number of preset templates including the text/vectors/measurements/etc.
The first thing you can do is simply click on the preset template of your choice and create an image from it. Alternatively, if you don’t like the preset templates, you can create your own images from scratch by choosing the «Create a New Document» and «Create a new layer.»
After creating some images, it’s a good idea to save them to your computer for future reference. To do so, click on the File menu and «Save for Web and Devices» or «Save for Web.» A drop-down menu appears where you can change the name of the document, select a target location, and choose the format. In this step, you can also choose whether or not to compress the images before you save them.
4. Also, if you want to apply these tips and tricks in Adobe Elements, you can do
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Selective eraser. Use it to remove unwanted areas of an image.
Clone tool. Use it to copy pixels from one area of an image and paste them into another area.
The Pen tool allows you to draw straight lines, arrows, arcs and other shapes. With the Eraser tool, you can erase pixels, which leaves a ghost of the line or shape underneath.
You can make selections using the Paint Bucket or Polygonal Lasso tool. With the Paint Bucket tool, select the area you want to copy pixels from or the area from which you want to copy pixels. With the Polygonal Lasso tool, select the area you want to copy pixels from.
Brushes
Photoshop can be used to create various effects such as painting, drawing and compositing. You can use the Brush tool to create such effects on your images.
In the Tool Panel, click the Brush tool and choose a brush from the Brush Types and Settings panel to the left. If you click the Brush Settings button, the Brush Settings dialog box opens, where you can change brush size, hardness, brush size mode, shape, etc. Click the Brushes Library button to open the Brushes Library, which displays a library of brushes and the Brush Gallery.
Figure 6-6 shows the Brushes Library. The Brush Library contains various preset brushes. The Brush Gallery contains the default settings for brushes.
**Figure 6-6:** The Brush Gallery contains the default settings for brushes.
You can make and save your own brushes. To do so, open the Brush Tool in the Tool Panel, set a brush size and hardness, and then click the Brush tab of the Options bar to select a brush.
To create a new brush, click the Plus icon (+) next to the word New Brush in the Brush Library or the Brush Gallery, type a name for the new brush in the Name text box, and then make the desired settings for your brush.
To apply a new brush, double-click the brush icon in the Brush Library or Brush Gallery to open the brush in the Brush Editor, where you can make settings for it. Figure 6-7 shows a preview of the Brush Editor window for a new brush.
**Figure 6-7:** To make brush settings, open the Brush Editor.
Artistic Styles
You can give your artwork a more distinctive look by making certain settings using the Artistic Styles
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Analyses by Nancy and Margaret Grab hold of the two truths they’ve experienced to the fullest:
“The power, beauty and accuracy of our condition of being, are so amazing that we just cannot imagine not being here.”
“Knowing and living into the truth of our condition of being, however painful or difficult it may be in the moment, is the only thing that liberates us from suffering.”
What is your most difficult condition of being? For me, the answer is known and living.
Yet, I find it difficult to accept what I know to be true, and my brain tries to find a reason why the feeling is hurtful or unpleasing. It is my tendency to justify the feeling, and sometimes even the situation. I’m good at it! The suffering is also easy to explain – it comes from society, family, and self-centeredness.
But, my non-cognitive awareness is keenly aware that the power, beauty and accuracy of my condition of being is so amazing that it just cannot be imagined without being here.
If we keep accepting our most difficult conditions of being as truth, it becomes easier to see how we function without us, and it transforms our life in ways we can hardly imagine. A life of acceptance, and gratitude, is a life of freedom from suffering. It is our true condition of being.Resource Information
The work Individualistic Reconstitutions of Management (electronic copy) represents a distinct intellectual or artistic creation found in Cuyahoga County Public Library. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Individualistic Reconstitutions of Management (electronic copy)
Label
Individualistic Reconstitutions of Management (electronic copy)
Published date
Spring 1989
Medium
Electronic copy
Dimensions
52 x 39.5 cm
Credit line
Public Domain
Usage terms
Copyright restrictions apply. Use is governed by Copyright law.
Contents
Preface
In this electronic manuscript version of a chapter in Recalibration: The Predicament of a Managerial Movement, sociologist Benjamin Barber writes that the concepts of the market and the firm are two hallmarks of a society in which, increasingly, individual interests predominate over those of the group. In the course of his
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